At last we have arrived at the threshold between winter and summer. It is the threshold between death and life. In “Hansel and Gretel,” the children must deal with a hag, the goddess in her death-bringing aspect.
Gast-Blogartikel von Felicia Hofmann:
Keira Knightley verbietet ihrer Tochter Disney-Klassiker wie ‚Ariel, die kleine Meerjungfrau’ oder ‚Cinderella’. Das erzählte sie vergangenes Jahr der Talkshowikone Ellen De-Generes – und wird seither für ihre feministische Erziehung gefeiert.
Only when a calendar reflects the cycles of the sun and the moon properly will we manage to stay in tune with the cyclical movements of life. Only then will we be able to respond to their rhythmic creational process that shapes the world we live in, and thus participate in the dance of destiny.
The equinoxes mark a threshold, a door to a new seasonal quality. Folk tales talk about this magical moment and convey that up until recently, the Maker of Seasons could be met personally in the local streets.
To know the seasons and act in sync with them was - and still is - very important for us human beings. It determines how well in sync we are with the flow of life. In ancient times, the yearly calendar was divided into several holiday seasons. One of them was at the beginning of February and ended with what we call today "Valentine’s Day." Nothing less than LOVE was celebrated on that day. But why in February and not in the blooming month of May, the traditional month of love and weddings?
There is much more to a calendar than meets the eye. There lies a cyclical process underneath it, a process of utmost importance. It shapes our lives. However, time measurement can be toyed with, which brings massive consequences, as patriarchal history has proven. Who determines the rules, has the power over a balanced or an unbalanced life.
Gazing at the moon fills us with awe, especially when it appears in the mystic hue of a so-called “blood moon”, like this morning. It is caused by a mysteriously choreographed dance between the sun, moon, and the earth, as already our prehistoric ancestors knew. Who stood on the face of the earth was naturally involved in this dance. It was the dance with destiny.
Especially during times such as Christmas, which once used to be celebrated as the Winter Solstice – the return of the light - we are invited to take a peek behind the curtain and witness the workings of the divine.
The folk tales always model the relationship between the invisible and the visible, the human and the otherworld. When the protagonist of a fairy tale interacts with nature, nature responds.
We too have stories at the base of our culture, just like any other indigenous folk. Our European wisdom teachings lie hidden in the wonder tales and Megalithic buildings. But why did nobody tell us more about the prehistoric times, the time when Ötzi crossed the Alps and gigantic stone monuments were built along the shore regions all over Europe? Why were those ancestors depicted uniformly as “stone age” people, evoking the image of cavemen, who drug their wives around by the hair?
Fairy tales contain the wisdom teachings of our prehistoric elders, who lived so close to nature that they knew its very laws. They bring us back to our roots, back to all our European roots. They are modeling a well-balanced life, in fairness and healthy relationships, with an even give-and-take interaction between all beings on earth and its creative divine source. No longer do we need to consult other indigenous cultures’ wisdom.